berries, and pine cones adding to the mix. I eliminated some of that stuff and changed the plant's
profile a bit. My first attempt was a disaster but after spending some semi-hysterical time considering the possibility of just destroying the entire painting I came to my senses and attacked the problem with more planning and care. I worked from the berries out, in increments, doing only small areas in a painting session. The moment my toes started to curl (my personal reaction to being overwrought and overwhelmed) I would stop. I even came to enjoy concentrating on the separate fronds, twigs, berries, and cones, allowing that to be the entire painting in my mind.
Now that it is finally completed I hope to hear soon from my client, who lives in Spain, when and where to ship it off and I will never have to see it again.
Hey Karen, thanks for saying hi. I've dropped by tyour blog a couple of times without commenting as I was a bit embarrassed I didn't make it into town to see your show at the grotto. I didn't make it to Courtenay for a month and a half or more! Very busy, and also trying to get up the mountain to xcski and to CR to climb at the gym when I got a chance. (To stay sane during the gloom.) I missed a number of shows.
ReplyDeleteHope you're well, and the injury healed up, sorry about the recent disapointments, but you seem to keep them in perspective; there are so so many artists out there that a cull is being contemplated by the ministry of culture and wildlife management, apparently. The main thing is your work; this latest post is spectacular for the genre,hope the client(s) are very happy. They should be! Also love your the looser more personal work down below.